I work through a process of collection, documentation, and narrative. I selectively pick out images from a variety of personal photographs, found patterns, and magazine clippings from the 1940’s and 50’s. These facilitate a process of markmaking as they are materially reduced, repeated, and recombined on paper using wax, lithography, and oil paint. I’m interested in the subvert reconstitution of imagery as they are developed into narrative forms within the scale of personal document.